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Hexagram 2 坤 - Kūn / THE RECEPTIVE

Trigrams
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  • Above: Kūn, The Receptive, Earth
  • Below: Kūn, The Receptive, Earth

This hexagram consists entirely of yielded (divided) lines. The divided line represents the dark, soft, receptive primal power of Yin. The primary attribute of the hexagram is devotion, and its symbol is the Earth. It serves as the perfect counterpart to The Creative - a complement, not an opposite; a completion, not a conflict. It represents Nature in contrast to Spirit, Earth to Heaven, space to time, and the feminine-maternal to the masculine-paternal. When applied to human affairs, this principle of partnership is found not only in the relationship between man and woman, but also between ruler and minister, or father and son. Even within the individual, this duality manifests as the coexistence of the spiritual and the sensory.

However, this does not imply a true dualism, because a clear hierarchy exists between the two hexagrams. In itself, The Receptive is just as important as The Creative. Yet, its inherent quality of devotion defines its position relative to The Creative. It must act under the guidance and inspiration of The Creative to bring about beneficial results. It becomes harmful only if it abandons this position and tries to stand as an equal partner alongside The Creative. This leads to opposition and conflict, which proves disastrous for both sides.


The Judgment
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THE RECEPTIVE brings sublime success, Furthering through the perseverance of a mare. If the superior man has an undertaking and tries to lead, He goes astray; but if he follows, he finds guidance. It is favorable to find friends in the west and south, And to forego friends in the east and north. Quiet perseverance brings good fortune.

The four fundamental attributes of The Creative - “sublime success, furthering through perseverance” - are also found here to describe The Receptive. However, this perseverance is specifically defined as the perseverance of a mare. The Receptive represents spatial reality, standing in contrast to the spiritual potential of The Creative. When potential becomes actualized and the spiritual takes on spatial form, it always occurs through a limiting, individualizing definition. This is why the term “perseverance” is further qualified by “of a mare.” The horse belongs to the earth just as the dragon belongs to heaven. Its boundless movement across the plains symbolizes the vast expanses of the earth. The term “mare” is chosen because it combines the strength and speed of a horse with the gentleness and devotion of a cow.

Nature can actualize the impulses of The Creative only because it matches its essential nature. Its wealth lies in nourishing all living things, and its greatness lies in beautifying and glorifying everything. In this way, it brings prosperity to all life. While The Creative generates things, they are born from The Receptive.1

Applied to human affairs, the lesson is to act in accordance with one’s situation. One is not in an independent position but is working as an assistant. The task here is to accomplish something, not to lead. Trying to lead would only cause one to go astray; the true objective is to let oneself be guided. By learning to remain devoted in the face of fate, one is certain to find proper guidance. The superior man allows himself to be led. He does not advance blindly; instead, he assesses what the circumstances demand of him and follows this guidance of destiny.

Since there is work to be done, one needs helpers and friends during times of labor and effort, once the ideas to be executed are already established. This period of work and effort is symbolized by the west and south. The south and west represent the place where The Receptive works on behalf of The Creative - just as nature does in summer and autumn. If one does not gather all available strength during this time, the task at hand will remain unfinished. Therefore, finding friends here means securing cooperation and productivity. However, besides work and effort, there is also a time for planning and organizing, which requires solitude. The east symbolizes the place where one receives orders from their master, and the north represents where one reports on what has been accomplished. In these moments, one must stand alone and objective. In this sacred hour, one must forego companions so that the purity of thought is not clouded by partisan hatred or favoritism.

Just as there is only one heaven, there is only one earth. While the doubling of the hexagram for heaven implies temporal duration, for the earth it signifies spatial expansion and the stability with which it carries and sustains all living things. In its devotion, the earth sustains both good and evil without exception. Likewise, the superior man makes his character broad, solid, and enduring, so that he is capable of supporting and tolerating both people and things.


The Lines
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Six at the beginning means:
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When there is hoarfrost underfoot, solid ice is near.

Just as the light power represents life, the dark power represents death. In autumn, when the first hoarfrost falls, the power of darkness and cold is only beginning to unfold. Following these initial traces, the manifestations of death will gradually multiply according to fixed laws, until the rigid winter arrives with its ice.

This is exactly how it works in life. When faint, barely noticeable signs of decay appear, they continue to progress until destruction finally arrives. In life, however, one can take preventive measures by paying attention to the signs of decay and confronting them in time.

Six in the second place means:
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Straight, square, great. Without purpose, yet nothing remains unadvanced.

Heaven is symbolized by a circle, while the earth is symbolized by a right-angled square. Thus, squareness is an inherent attribute of the earth. On the other hand, straight movement is originally a quality of The Creative, as is greatness. Yet all square things have their roots in the straight line and, in turn, form physical dimensions. In mathematics, lines, planes, and solids are distinct; straight lines produce square planes, and square planes produce cubic volumes. The Receptive aligns itself with the attributes of The Creative and makes them its own. Thus, a straight line becomes a square, and a square becomes a cube. This represents simple devotion to the laws of The Creative without adding or subtracting anything. Therefore, The Receptive requires no special purpose or effort, and everything turns out right.

Nature produces all beings without deceit, which is its straightness; it is calm and still, which is its squareness; it does not refuse to tolerate any creature, which is its greatness. Consequently, it achieves what is right for all things without external contrivance or special purposes. For human beings, the highest wisdom lies in making their actions as spontaneous and natural as nature itself.

Six in the third place means:
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Hidden lines; one is able to remain persevering. If you should serve a king, Seek not works, but bring completion!

If one is free from vanity, they can conceal their merits so that they do not prematurely draw public attention. This allows one to mature in quiet isolation. If circumstances require it, one may also step into the public eye, but even then, with restraint. The wise person gladly leaves the glory to others. They do not seek finished achievements to be credited to their name; rather, they hope to set active causes in motion - meaning they complete works in such a way that they bear fruit for the future.

Six in the fourth place means:
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A tied-up sack. No blame, no praise.

The dark power opens when it moves and closes when it rests. Here, the strictest reserve is indicated. The times are dangerous: any forward step leads either to the hostility of overwhelming opponents if one tries to fight them, or to misunderstood recognition if one is too compliant. Therefore, it is necessary to keep oneself enclosed, whether in solitude or in the turmoil of the world; even there, one can conceal themselves so well that no one knows them.

Six in the fifth place means:
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A yellow lower garment brings sublime good fortune.

Yellow is the color of the earth and of the center, symbolizing what is reliable and genuine. The lower garment is inconspicuously adorned, symbolizing noble restraint. When someone is called to act in a prominent yet dependent position, true success relies on the utmost discretion. Authenticity and refinement should not manifest directly, but should express themselves indirectly as an inner influence working outward.

Six at the top means:
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Dragons fight in the meadow. Their blood is black and yellow.

In the highest position, the dark power should give way to the light. If it attempts to maintain itself in a position that does not belong to it, and rules instead of serving, it incurs the wrath of the strong. A struggle ensues in which it is overthrown, though both sides suffer harm.

The dragon, symbol of heaven, arrives and fights the false dragon, whose image the earthly power has assumed here. Dark blue is the color of heaven; yellow is the color of the earth. Therefore, when black and yellow blood flows, it is a sign that both fundamental forces suffer damage through this unnatural conflict.2

When all the lines are sixes, it means:
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Lasting perseverance is favorable.

When all the lines are sixes, the hexagram of The Receptive transforms into the hexagram of The Creative. It thus gains the power of endurance by holding fast to what is right. While there is no progress, there is also no regression.


Reference links#


  1. A similar concept is found in Goethe’s lines from Parabase:

    Thus gaze with modest eyes upon The eternal weaver’s masterpiece, How a single treadle moves a thousand threads; The shuttles dart from side to side, The threads flow invisibly to meet, One strike a thousand links unites; She did not gather this by begging, She ordered it from eternity, So that the eternal master mind Securely may the woof design.

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  2. While the top line of The Creative shows titanic pride and forms a parallel to the Greek myth of Icarus, the top line of The Receptive presents a parallel to the myth of Lucifer, who rebels against the supreme deity, or to the struggle of the dark forces against the gods of Valhalla, which ends with the Twilight of the Gods. ↩︎

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